Tascam DR-701D Linear PCM Recorder for DSLRuntuk produksi video single shooter. Dengan sebuah generator timecode untuk referensi lokasi, yang dapat diselaraskan dari generator SMPTE, kamera atau smart slate. port HDMI memungkinkan kamera DSLR untuk mulai merekam pada kedua perangkat.
fitur ganda built-in mikrofon omnidirectional dan empat XLR / input TRS dengan phantom power dan mampu merekam hingga 6 track secara bersamaan. body ringan terbuat dari magnesium alloy. Tripod mount di bagian atas dan bawah dari unit memungkinkan unit untuk me-mount di bawah kamera.
Dirancang untuk kebutuhan pembuat film profesional, produser televisi, pengiklan dan dokumentarian, DR-701D paket rekaman multitrack yang berkualitas tinggi cukup kompak untuk digunakan dengankamera apapun.
Fitur Tascam DR-701D Linear PCM Recorder for DSLR
Record 4 Channels + Stereo Mix
4 XLR/TRS Inputs with Phantom Power
Dual Built-In Omnidirectional Mics
Stereo 3.5mm In for Stereo Mic
3.5mm Camera In/Out
BNC In for Sync to SMPTE
HDMI in Supports Start/Stop from DSLR
Writes Time Data to Recorded Audio Files
Records Up to 24-Bit/192kHz
Mount to DSLR or Tripod
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Recording Media
Media
SD card (64 MB to 2 GB)
SDHC card (4 to 32 GB)
SDXC card (48 to 128 GB)
IN 1/2/3/4: XLR-3-31, 1/4″ standard TRS jacks (phantom power supplied only to XLR)
EXT IN 1/2: 1/8″ stereo mini-jack (can provide plug-in power)
CAMERA IN: 1/8″ stereo mini-jack
Analog Outputs
PHONES: 1/8″ stereo mini-jack
CAMERA OUT: 1/8″ stereo mini-jack
LINE OUT: 1/8″ stereo mini-jack
HDMI I/O
Type A receptacle
USB
Connector type: Micro-B
Format: USB 2.0 HIGH SPEED mass storage class
Timecode Input
BNC
Remote Input
3/32″ (2.5 mm) TRS jack
Power
Power Source
4x AA batteries (alkaline, NiMH or lithium)
AC adapter (TASCAM PS-P515U, sold separately)
External battery pack (TASCAM BP-6AA, sold separately)
Power Consumption
5 W (maximum)
Consumption Current
1 A (maximum)
Battery Operation Time
Using alkaline batteries (EVOLTA)
Use conditions:
Channels 1/2 unused
Channels 3/4 use built-in mic
Phantom power off
HDMI not connected
Recording 2ch 48 kHz/16-bit WAV files
Operation time: About 3:45Use conditions:
Channels 1/2 used
Channels 3/4 unused
3mA phantom power used for 2 channels
HDMI not connected
Recording 2ch 48kHz/16-bit WAV files
Operation time: About 2:00Use conditions:
Channels 1/2 used
Channels 3/4 unused
3mA phantom power used for 2 channels
HDMI input connected (1080/60i)
Recording 2ch 48 kHz/16-bit WAV files
Operation time: About 1:30Using NiMH batteries (eneloop)
Use conditions:
Channels 1/2 unused
Channels 3/4 use built-in mic
Phantom power off
HDMI not connected
Recording 2ch 48 kHz/16-bit WAV files
Operation time: About 4:00
Channels 1/2 used
Channels 3/4 unused
3mA phantom power used for 2 channels
HDMI not connected
Recording 2ch 48 kHz/16-bit WAV files
Operation time: About 2:30
Channels 1/2 used
Channels 3/4 unused
3mA phantom power used for 2 channels
HDMI input connected (1080/60i)
Recording 2ch 48 kHz/16-bit WAV files
Operation time: About 2:00
Using lithium batteries (Energizer ULTIMATE LITHIUM)
Use conditions:
Channels 1/2 unused
Channels 3/4 use built-in mic
Phantom power off
HDMI not connected
Recording 2ch 48 kHz/16-bit WAV files
Operation time: About 7:30
Channels 1/2 used
Channels 3/4 unused
3mA phantom power used for 2 channels
HDMI not connected
Recording 2ch 48 kHz/16-bit WAV files
Operation time: About 6:30
Channels 1/2 used
Channels 3/4 unused
3mA phantom power used for 2 channels
HDMI input connected (1080/60i)
Recording 2ch 48 kHz/16-bit WAV files
Operation time: About 3:30
NOTE: When using phantom power, the operation time might be reduced depending on the mic being used
Audio Performance
Frequency Response
20 Hz – 20 kHz +0.5/-1 dB (LINE IN or MIC IN to LINE OUT, 44.1/48kHz sampling frequency, JEITA)
20 Hz – 40 kHz +0.5/-1 dB (LINE IN or MIC IN to LINE OUT, 96kHz sampling frequency, JEITA)
20 Hz – 80 kHz +0.5/-5 dB (LINE IN or MIC IN to LINE OUT, 192 kHz sampling frequency, JEITA)
Distortion
0.007% or less (LINE IN or MIC IN to LINE OUT, 44.1/48/96/192kHz sampling frequency, JEITA)
Signal to Noise Ratio
100 dB or more (LINE IN or MIC IN to LINE OUT, 44.1/48/96/192kHz sampling frequency, JEITA)
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